cover photo for Nest by Jensen Hande		:: bio :: About Nest "Nest is a deeply personal CD, pulling at your collar and tugging at your sleeves long after the first play." - Florida Album of the Year, Florida Times-Union Rebecca Zapen's latest album Nest is as delicate as a newborn, not only in sound but in subject. The album is filled with varied instrumentation and genres where strings and horns (and the ukulele's South American cousin the Cavaquino) mix with finger-picked folk and cinematic vocal harmonies. Thematically, the album is about Zapen building a nest of her own and was recorded while she was pregnant with Joel, her now two-year-old son with husband and fellow musician, Jeremy Douglass. Born into a music-making family in Jacksonville, Florida, Zapen's earliest memories are of sitting beneath the grand piano while her mother practiced Chopin, Beethoven, and Mozart. All grown up, Zapen attended Florida State University on a music scholarship, filling her college year with opera, chamber music, and late night jazz jams. Later expanding her repertoire to include swing, classical, klezmer country, folk, rock and spoken word, Zapen's current sound is an accompished combination of these influences that gets in your head and doesn't leave. Little Joel probably learned a lot about music in the womb, giving him a jump on Mom who began her own classical training on violin at the age of three. It's her lifelong dedication to musical technique and the wonder by which she practices it that makes Zapen's music so appealing. Like a birh, Nest is an arrival at a more solidly focused sound for Zapen after several releases that tried out different musical approaches. Like the albums of folk music greats, Nest contains a spirit that is simple but complex, appealing universally while being intensely personal. The record often sounds like a lullaby and not the kind that starts you dreaming, but one that you can only hear when you're already sleeping. It's a lilting, crooning counterpoint to Beck's Sea Change where characters come together (mostly, anyway - see the heartbreaker single "Lakewood") instead of fall apart. Other notable tracks include the stark Appalachian twang of "Colorado," arranged with only violin and vocals (uncharacteristically belted this time), and the cinematic "You Did Me Wrong" which incorporates folk, pop and jazz into one tune. There's even a cover of Robert Palmer's "Addicted to Love" on Nest. Zapen's love of jazz, and especially bossa nova, comes out in her version of the Palmer hit, taking it to a brand new place. Zapen ignores all the typical cues one might take when covering the tune. It's a truly unique spin that stands on its own without being cheeky. Given the context of the album's theme the song is given a different, maybe even deeper, meaning as well. Rebecca Zapen's Nest is now available nationwide on her own Bashert (Yiddish for "fate") label. The record has already been awarded the distinction of "Florida Album of the Year" by the Florida Times-Union in Jacksonville and Zapen's local performances there have become sold-out, standing-room-only events. Zapen is now making room for everybody, with the promotion of Nest expanding to include the rest of the country. - Josh Bloom ............................................................................. Biography A third-generation musician in a family tree including players of violin, piano, double bass, guitar, and accordion, it's not surprising that Rebecca Zapen has developed into a versatile performer: classically-trained violinist, jazz crooner, and award-winning multi-instrumentalist songwriter. Barely out of the starting gate, her brand new folk-pop release, Nest, was awarded Florida Album of the Year 2011 by the Florida Times-Union and debuted at #12 on the Folk DJ charts. Her CD pre-release shows in her new home of St. Petersburg and hometown of Jacksonville have been sold-out and standing-room-only. Honors and accolades for Zapen's previous works include Best Album & Best Song (cabaret genre) in the Just Plain Folks Awards 2009, for folk-pop album Japanese Bathhouse, receiving 5 nominations. She was awarded Jacksonville's Musician of the Year 2008 (Florida Times Union). Recent career highlights include her performance as the musical guest on Public Radio International show Michael Feldman's Whad'Ya Know?; original songs in a national promotion for Crocs Shoes; winning 2nd in the Bushman World Ukulele Video Contest and her resulting endorsement with Bushman Music Works. Zapen was a Finalist in the 2007 DiscMakers' Independent Music World Series. Other highlights include appearances as jazz vocalist with the Hollywood Philharmonic Orchestra, and as the mandolin soloist in Jacksonville Symphony Orchestra's production of Mozart's opera Don Giovanni. She is an award-winning composer, earning the Silver Medal of Excellence for Best Use of Music in a Short Film at the 2008 Park City Film Music Festival. Her original songs appear in Look Both Ways, which won for Best Music in the 2009 San Francisco Seven Day Film Festival. Rebecca's light vocals and violin were heard on early commercials for Truvia sweetener in 2008-2009. Her music has been featured on NPR's All Songs Considered: Open Mic. Past performances include Jacksonville Jazz Fest, Florida Folk Fest, Gamble Rogers Fest, and venues such as Hotel Cafe (L.A.), The Bitter End (NYC), and Paganini Auditorium (Italy). Zapen's first musical memory was that of sitting beneath the grand piano as a toddler, her ears filled by the sounds of her mother playing Chopin, Beethoven, and Mozart. Her classical music education began at age 3 with the Suzuki Violin Method, and culminating with her graduating Phi Beta Kappa and magna cum laude with music and biology degrees, attending Florida State University on a music scholarship. Her college years were filled with opera, orchestra, chamber music, and late night jazz jams. It was at FSU that she began a love affair with jazz, especially bossa nova. Since then, her musical involvements have been with groups whose styles include jazz, swing, classical, klezmer, country, folk, rock, and spoken word. Zapen has performed with or opened for artists such as Vassar Clements, Big Sandy & His Fly Rite Boys, Tommy Womack, Trisha Yearwood, Chris Botti, Anathallo, and David Bazan, and has played in musical groups, symphony orchestras, and music festivals in U.S., Great Britain, Switzerland, and Italy. Her versatile violin playing, pure clear voice, and ability to write nostalgia-infused music have earned her comparisons to Astrud Gilberto, Suzanne Vega, Leonard Cohen, and The Ditty Bops. Her influences include Stephane Grappelli, Antonio Carlos Jobim, Chet Baker, and Nick Drake. Zapen founded her own record label in 2003, naming it Bashert, which is a Yiddish word meaning "destiny" or "fate". Her newest album of original acoustic folk-pop, Nest, has received such an overwhelmingly positive response, with sold-out and standing-room-only attendance at pre-release concerts, resulting in moving the release date to November 1, 2011. Featured tracks include Appalachian-tinged "Colorado", auto-biographical songs "Grandfather's Song", "Jacaranda", and "Lakewood", and lilting bossa nova number "Ledge". Rebecca's discography includes ZapStar (2006), featuring the Rebecca Zapen / Gary Starling Group's interpretations of jazz standards and even a couple of Beatles classics via their combo of guitar, upright bass, and drums, with Zapen on violin and vocals. Japanese Bathhouse was released in Fall 2005 after a European summer tour, with songs about anything from pirate love gone wrong to bread crumb trails to nudity in foreign lands. It won Best Cabaret Album and Best Cabaret Song in the Just Plain Folks Awards, held in Nashville in 2009. Relix describes Japanese Bathhouse: "Nothing adequately prepares for the way in which her deeply personal album instantaneously envelops and never loses its grip.... The title song and others bring to mind no less than early solo McCartney and Brian Wilson's SMiLE.... One of those near-perfect hidden gems..." During ZAPENation Tour 2006, Rebecca's acoustic folk-jazz-twang trio (with dobro and double bass) gave 22 performances during its six-week tour of the United States. Triple-single Songs of Bother and Woe (2005) gives a taste of her nostalgic indie folk-pop, with a sound that ranges from simple ukulele and vocals to lush arrangements of strings and brass, and musical accents from melodica and glockenspiel. Self-titled folk EP Michelle Payne & Rebecca Zapen (2003) is a collaboration in which Zapen mainly plays a supporting role, providing instrumental accompaniment and background vocals, and is spotlighted on her original "Every Song". Debut release Hummingbird (2003), is laden with bossa nova and blends violin, voice, sax, marimba, and rhythm section into a warm spacious sound.